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Emma Cinocca


A slideshow of one of an art exhibition called the “Singing Spheres.”

Decoding patriarchal and colonial perspectives with SAB visiting artist Shahzia Sikander

Staff writer for the Prospect recounts the conversation that the Princeton University Art Museum hosted with Pakistani-American artist Shahzia Sikander, as part of the series SAB Visiting Artist Conversation.

Staff writer for the Prospect recounts the conversation that the Princeton University Art Museum hosted with Pakistani-American artist Shahzia Sikander, as part of the series SAB Visiting Artist Conversation.


Photograph of three figures in black cloaks walking on sand.

A walk through ‘Undercurrent’: Art on Bainbridge explores resilience and community

Emma Cinocca reviews Bainbridge House’s new exhibit: “Undercurrent” by artist Helène Aylon. The exhibit at the Princeton University Art Museum’s downtown gallery explores themes of femininity, religion, and resilience.

Emma Cinocca reviews Bainbridge House’s new exhibit: “Undercurrent” by artist Helène Aylon. The exhibit at the Princeton University Art Museum’s downtown gallery explores themes of femininity, religion, and resilience.


Two people face each other on a stage with a bathtub and covered in purple light.

Forging Hope in ‘Flight of a Legless Bird’ by Ethan Luk ’24

Staff writer for the Prospect Emma Cinocca reviews the recent play of “Flight of a Legless Bird,” which “ends where it began” and sees the emergence of hope through one’s art.

Staff writer for the Prospect Emma Cinocca reviews the recent play of “Flight of a Legless Bird,” which “ends where it began” and sees the emergence of hope through one’s art.


Eight dancers on stage, jumping with one arm raised.

The emotional experience of eXpressions’ ‘Memento’

“They told stories through every aspect of the performance, from carefully-chosen costumes and emotive lyrics to the subtle use of facial expressions as they danced. I was invigorated by the performance — and for good reason.”

“They told stories through every aspect of the performance, from carefully-chosen costumes and emotive lyrics to the subtle use of facial expressions as they danced. I was invigorated by the performance — and for good reason.”


A woman stands at a lectern in a blue-lit room.

Captivating performances from Ma and Cisneros at annual reading series

“The audience connected deeply with both performances, laughing with Cisneros at just the right moments and holding the contemplative pauses that Ma’s “Peking Duck” demanded.”

“The audience connected deeply with both performances, laughing with Cisneros at just the right moments and holding the contemplative pauses that Ma’s “Peking Duck” demanded.”


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