In the November issue, the Sexpert explains the pitfalls of using AI chatbots for emotional intimacy.
In the November issue, the Sexpert explains the pitfalls of using AI chatbots for emotional intimacy.
Contributing writer for The Prospect Amy Jeon reviews the Black Arts Collective exhibit “Terms for Existence.”
Contributing writer for The Prospect Amy Jeon reviews the Black Arts Collective exhibit “Terms for Existence.”
Contributing writer for The Prospect Leia Pei details moments from the Black Art Company’s fall show.
Contributing writer for The Prospect Leia Pei details moments from the Black Art Company’s fall show.
Contributing writer for the Prospect, Navya Kommu, interviews Ooika owner about his upcoming Nassau Street opening.
Contributing writer for the Prospect, Navya Kommu, interviews Ooika owner about his upcoming Nassau Street opening.
This is the third year of the Editor-in-Chief’s review of the Triangle show, a recently revived tradition with little to no trace of its prior existence. This review is not entirely satirical and sadly not at all fictional, though it does discuss fiction. But nonetheless, it is definitely not serious.
This is the third year of the Editor-in-Chief’s review of the Triangle show, a recently revived tradition with little to no trace of its prior existence. This review is not entirely satirical and sadly not at all fictional, though it does discuss fiction. But nonetheless, it is definitely not serious.
Staff writer for The Prospect Annika Plunkett reviews Princeton Pianists Ensemble’s show “Odyssey.”
Staff writer for The Prospect Annika Plunkett reviews Princeton Pianists Ensemble’s show “Odyssey.”
Contributing writer for The Prospect Eesha Sutaria reviews Coffee Club’s new winter drink menu.
Contributing writer for The Prospect Eesha Sutaria reviews Coffee Club’s new winter drink menu.
Contributing writer for The Prospect Caroline Naughton covers the American Art pavilion in the Princeton University Art Museum’s brand new space.
Contributing writer for The Prospect Caroline Naughton covers the American Art pavilion in the Princeton University Art Museum’s brand new space.
Writer for The Prospect Kate Chun reviews the Princeton University Art Museum’s new Asian Art Pavilion.
Contributing writer for The Prospect Kaichen Chou discovers new study spots in the Princeton University Art Museum.
Contributing writer for The Prospect Kaichen Chou discovers new study spots in the Princeton University Art Museum.
Contributing writer for The Prospect Devon Williams details curatorial choices in the European Art Pavilion at the Princeton University Art Museum.
Contributing writer for The Prospect Michael Grasso takes a look inside the Princeton University Art Museum’s photography exhibit.
Contributing writer for The Prospect Michael Grasso takes a look inside the Princeton University Art Museum’s photography exhibit.
Contributing writer for The Prospect Zane Mills VanWicklen details how the Ancient Mediterranean pavilion in the new Princeton University Art Museum is a “step back in time.”
Contributing writer for The Prospect Zane Mills VanWicklen details how the Ancient Mediterranean pavilion in the new Princeton University Art Museum is a “step back in time.”
Li’s characteristic insistence on describing reality with precision, no matter how painful, is evident from the first chapter. She even rails against oft-used words like grief and mourning, which she believes imply an end to the pain of loss. For her, the pain will never end. This new work is not catharsis, but a reminder that life will never be all right again.
Li’s characteristic insistence on describing reality with precision, no matter how painful, is evident from the first chapter. She even rails against oft-used words like grief and mourning, which she believes imply an end to the pain of loss. For her, the pain will never end. This new work is not catharsis, but a reminder that life will never be all right again.
Contributing Writer for The Prospect Eric Mohorea covers Terrace’s Battle of the Bands.
Contributing Writer for The Prospect Eric Mohorea covers Terrace’s Battle of the Bands.
Senior writer for The Prospect Amanda Hugas reviews the gift shop at the Princeton University Art Museum.
Senior writer for The Prospect Amanda Hugas reviews the gift shop at the Princeton University Art Museum.
Contributing writer for The Prospect Monica Zepeda gives readers a behind the scenes look at a dress rehearsal of eXpressions Dance Company's new show "Masquerade."
Contributing writer for The Prospect Monica Zepeda gives readers a behind the scenes look at a dress rehearsal of eXpressions Dance Company's new show "Masquerade."
Five writers for The Prospect give their recommendations for the art that you must see during your visit to Princeton's new Art Museum!
Five writers for The Prospect give their recommendations for the art that you must see during your visit to Princeton's new Art Museum!
Head Editor for The Prospect Gavin McLoughlin reviews “300 Paintings,” an absurd, intimate, yet wildly funny performance at McCarter.
Head Editor for The Prospect Gavin McLoughlin reviews “300 Paintings,” an absurd, intimate, yet wildly funny performance at McCarter.
Head Editor for The Prospect Gavin McLoughlin reviews a variety of items from Princeton University Art Museum’s restaurant, Mosaic.
Head Editor for The Prospect Gavin McLoughlin reviews a variety of items from Princeton University Art Museum’s restaurant, Mosaic.
