Between two communities: Being queer and Muslim at Princeton

Between two communities: Being queer and Muslim at Princeton

Anonymous

“Just like being queer in Muslim spaces felt risky, being Muslim in queer spaces felt difficult as well.” An anonymous student reflects on the challenges of navigating the queer and Muslim communities at Princeton.

“Just like being queer in Muslim spaces felt risky, being Muslim in queer spaces felt difficult as well.” An anonymous student reflects on the challenges of navigating the queer and Muslim communities at Princeton.

THE PROSPECT | 04/22/2022

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Lawnparties student opener Q&A: Strawberry Milk is ready for their second gig

Lawnparties student opener Q&A: Strawberry Milk is ready for their second gig

Auhjanae McGee

On April 19, newly formed rock band Strawberry Milk was announced as the student opener for Lawnparties Spring 2022. The Daily Princetonian sat down with the group for a Q&A ahead of Sunday.

On April 19, newly formed rock band Strawberry Milk was announced as the student opener for Lawnparties Spring 2022. The Daily Princetonian sat down with the group for a Q&A ahead of Sunday.

THE PROSPECT | 04/22/2022

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‘Mary Stuart — A New Translation’ by BT Hayes ’22 to open this week in Wallace Theater

‘Mary Stuart — A New Translation’ by BT Hayes ’22 to open this week in Wallace Theater

Lia Opperman

Regan McCall ’22 takes the stage for a new translation of the Friedrich Schiller play, in which “duty collides with the will of the masses, and two powerful rulers meet face to face in a story of death, betrayal, and hope.”

Regan McCall ’22 takes the stage for a new translation of the Friedrich Schiller play, in which “duty collides with the will of the masses, and two powerful rulers meet face to face in a story of death, betrayal, and hope.”

THE PROSPECT | 04/21/2022

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Review of ‘Native America: In Translation’ at Art on Hulfish: A masterclass of what photography can do

Review of ‘Native America: In Translation’ at Art on Hulfish: A masterclass of what photography can do

Gabriel Robare

“To photograph is to apply an artist to that which wasn’t art before.”

“To photograph is to apply an artist to that which wasn’t art before.” 

THE PROSPECT | 04/20/2022

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Archive as Art, Community as Practice: a review of ‘sarry about saying you don’t’

Archive as Art, Community as Practice: a review of ‘sarry about saying you don’t’

Omar Farah

“In her senior thesis show “sarry about saying you don’t,” artist Raya Ward ’22 debuts a captivating visual language that incisively guides viewers through a sophisticated meditation on the nature of our personal archives.”

“In her senior thesis show “sarry about saying you don't,” artist Raya Ward ’22 debuts a captivating visual language that incisively guides viewers through a sophisticated meditation on the nature of our personal archives.”

THE PROSPECT | 04/18/2022

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Stomaching uncertainty

Stomaching uncertainty

Emily Miller

“But, improvement and progress are not binary variables between perfection and abdication — they are continuous with many fluctuations,“ writes Emily Miller in a guest Self essay for The Prospect.

“But, improvement and progress are not binary variables between perfection and abdication — they are continuous with many fluctuations,“ writes Emily Miller in a guest Self essay for The Prospect.

THE PROSPECT | 04/18/2022

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On proms, past and present

On proms, past and present

Albert Lee

“The sights and sounds of a high school dance bumped up against the walls of the mansion as contemporary music clashed with nineteenth-century architecture. Welcome to Redemption Prom.”

“The sights and sounds of a high school dance bumped up against the walls of the mansion as contemporary music clashed with nineteenth-century architecture. Welcome to Redemption Prom.”

THE PROSPECT | 04/17/2022

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East Pyne courtyard film set for ‘Oppenheimer’ creates campus chaos

East Pyne courtyard film set for ‘Oppenheimer’ creates campus chaos

Hope Perry

On Thursday, April 14, the quiet majesty of East Pyne was shattered as news spread across campus that Academy Award-winning director Christopher Nolan was on campus shooting his upcoming film “Oppenheimer.”

On Thursday, April 14, the quiet majesty of East Pyne was shattered as news spread across campus that Academy Award-winning director Christopher Nolan was on campus shooting his upcoming film “Oppenheimer.”

THE PROSPECT | 04/14/2022

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Maggie Nelson on freedom, queerness, and (not) knowing ourselves

Maggie Nelson on freedom, queerness, and (not) knowing ourselves

Clara McWeeny

Covering Maggie Nelson’s recent campus appearance in a conversation with professor Gayle Salamon for Princeton’s Public Lecture Series, Staff Writer Clara McWeeny also explores her own understanding of knowing one’s self.

Covering Maggie Nelson’s recent campus appearance in a conversation with professor Gayle Salamon for Princeton’s Public Lecture Series, Staff Writer Clara McWeeny also explores her own understanding of knowing one’s self.

THE PROSPECT | 04/13/2022

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The art of looking up

The art of looking up

Paige Cromley

“It feels whimsical, indulgent almost, to tell people I want to spend this era of my youth studying the stars.” Paige Cromley reflects on declaring as an Astrophysics major and the grounding experience of stargazing.

“It feels whimsical, indulgent almost, to tell people I want to spend this era of my youth studying the stars. However, I think there is something fundamentally grounding about the field — it seems significantly removed from human-scale worries.” Prospect Staff Writer Paige Cromley reflects on declaring as an Astrophysics major and the grounding experience of stargazing.

THE PROSPECT | 04/11/2022

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Alternative rock just isn't so alternative anymore

Alternative rock just isn't so alternative anymore

Eric Fenno

“The world’s tastes have simply evolved from the raw instrumentation of the 20th century, substituting it for a more electronic sound in a more technologically advanced age.”

“The world’s tastes have simply evolved from the raw instrumentation of the 20th century, substituting it for a more electronic sound in a more technologically advanced age.” 

THE PROSPECT | 04/11/2022

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‘A collaboration without knowing each other’: Werner Herzog reflects on ‘Grizzly Man’ at campus screening

‘A collaboration without knowing each other’: Werner Herzog reflects on ‘Grizzly Man’ at campus screening

Wilson Conn

“We are speaking about a wonderful movie, great poetry of footage, and phenomenal achievements in filmmaking … which [are] unique in film history,” Herzog said to a crowd of Princeton community members at the James M. Stewart ’32 theater on April 6. “It will never happen again.”

“We are speaking about a wonderful movie, great poetry of footage, and phenomenal achievements in filmmaking … which [are] unique in film history,” Herzog said to a crowd of Princeton community members at the James M. Stewart ’32 theater on April 6. “It will never happen again.”

THE PROSPECT | 04/10/2022

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Writing myself into Princeton’s story

Writing myself into Princeton’s story

José Pablo Fernández García

“For some reason, I’ve hesitated to write more explicitly about my Mexican identity or my story of immigration. They’re weird, complex identities and issues I often struggle to understand on a personal, internal level, especially as an immigrant to a country with a distinctly difficult history of race and otherness.”

“For some reason, I’ve hesitated to write more explicitly about my Mexican identity or my story of immigration.” 

THE PROSPECT | 04/10/2022

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Doormats, being nonbinary, and me

Doormats, being nonbinary, and me

Aster Zhang

“This journey hasn’t been affirming. It’s not hopeful. It’s crushing.”

“This journey hasn’t been affirming. It’s not hopeful. It’s crushing.” 

THE PROSPECT | 04/07/2022

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Experiencing ‘Signatures’: Relearning how to read

Experiencing ‘Signatures’: Relearning how to read

Cameron Lee

“In ‘Signatures,’ Pai seems to defamiliarize the process of reading itself.” Head Editor Emerita Cameron Lee covers Megan Pai ’22’s two-part senior thesis show called “Signatures.”

“In ‘Signatures,’ Pai seems to defamiliarize the process of reading itself.” Head Editor Emerita Cameron Lee covers Megan Pai ’22’s two-part senior thesis show called “Signatures.”

THE PROSPECT | 04/05/2022

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‘What is a box?’: Confluence, communication, and Schrödinger’s Cat in Introduction to Sculpture

‘What is a box?’: Confluence, communication, and Schrödinger’s Cat in Introduction to Sculpture

Audrey Zhang

“Perhaps, by sharing our thoughts, we gain connections, create societies, and generate futures we can sculpt, hopefully for the better...” Contributing Writer Audrey Zhang discusses a formative experience in her introductory sculpture course, VIS222, for The Prospect.

“Perhaps, by sharing our thoughts, we gain connections, create societies, and generate futures we can sculpt, hopefully for the better...” Contributing Writer Audrey Zhang discusses a formative experience in her introductory sculpture course, VIS222, for The Prospect.

THE PROSPECT | 03/30/2022

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Smith’s slap steals the show as CODA wins Best Picture at 94th Oscars

Smith’s slap steals the show as CODA wins Best Picture at 94th Oscars

Wilson Conn

“The ceremony’s various antics drew more attention than the awards or films themselves.” Head Sports Editor Wilson Conn reviews a slapdash Academy Awards ceremony in a guest appearance in The Prospect.

“The ceremony’s various antics drew more attention than the awards or films themselves.” Head Sports Editor Wilson Conn reviews a slapdash Academy Awards ceremony in a guest appearance in The Prospect.

THE PROSPECT | 03/28/2022

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Breaking Up with STEM

Breaking Up with STEM

Kerrie Liang

"And although some days I wonder whether the grass is greener on the other side, for the first time I am learning for the sake of learning — and that should be enough." Assistant Editor Kerrie Liang reflects on her struggles with letting go of her STEM persona.

“And although some days I wonder whether the grass is greener on the other side, for the first time I am learning for the sake of learning — and that should be enough.” Assistant Editor Kerrie Liang reflects on her struggles with letting go of her STEM persona.

THE PROSPECT | 03/28/2022

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‘tick, tick… BOOM!’: chase your dreams, but at what cost?

‘tick, tick… BOOM!’: chase your dreams, but at what cost?

Auhjanae McGee

“Immediately you’re drawn into Garfield’s theatrical performance. The messy hair, flitting eyes, expressive hand gestures, and breathy, impassioned voice...” Senior Writer Auhjanae McGee reviews “tick, tick, BOOM!” for The Prospect.

“Immediately you’re drawn into Garfield’s theatrical performance. The messy hair, flitting eyes, expressive hand gestures, and breathy, impassioned voice...” Senior Writer Auhjanae McGee reviews “tick, tick, BOOM!” for The Prospect.

THE PROSPECT | 03/28/2022

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'The love and affection I used to have': dualism as art

'The love and affection I used to have': dualism as art

Aster Zhang

“Faruki’s exhibition draws viewers in with bold asceticism ... then, when viewers are in the thick of it, the exhibit comes to life with an evocative, communicative artistic language of its own.”

“Faruki’s exhibition draws viewers in with bold asceticism ... then, when viewers are in the thick of it, the exhibit comes to life with an evocative, communicative artistic language of its own.” 

THE PROSPECT | 03/23/2022