Contributing writer for The Prospect Roya Reese ranks this year’s Garden Theatre film selections.
The Student Advisory Board’s annual Student Gala, this year entitled “Voyage,” filled the many halls and pavilions with food, music, activities, and conversation. This is the first year the Gala has been held in the new museum space — in past years, it has been taking place in Campus Club, with much of the school not noticing any relation to the art museum.
The Student Advisory Board’s annual Student Gala, this year entitled “Voyage,” filled the many halls and pavilions with food, music, activities, and conversation. This is the first year the Gala has been held in the new museum, although it has occurred in past years in Campus Club, often unnoticed by much of the school as related to the art museum.
Contributing writer for The Prospect Alexis Choi attends and reviews P Pop Up’s “terre á terre” fine dining event.
Contributing writer for The Prospect Alexis Choi attends and reviews P Pop Up’s “terre á terre” fine dining event.
Contributing writer for The Prospect Cynthia Lee details a list of last-minute gifts that are ideal for student shoppers.
Contributing writer for The Prospect Cynthia Lee details a list of last-minute gifts that are ideal for student shoppers.
Contributing writer for The Prospect Zane Mills VanWicklen reviews PUB’s fall 2025 show.
Contributing writer for The Prospect Zane Mills VanWicklen reviews PUB’s fall 2025 show.
Contributing Writer for the Prospect Amy Jeon shares five easy study snacks over reading period and finals week.
Contributing Writer for the Prospect Amy Jeon shares five easy study snacks over reading period and finals week.
Contributing writer for The Prospect Amaya Taylor covers artist Abigail DeVille’s latest exhibition, “the heart knows its own bitterness (Manifest).”
Contributing writer for The Prospect Amaya Taylor covers artist Abigail DeVille’s latest exhibition, “the heart knows its own bitterness (Manifest).”
Contributing Writer for The Prospect Zane Mills VanWicklen takes a tour of Princeton’s language tables.
Contributing Writer for The Prospect Zane Mills VanWicklen takes a tour of Princeton’s language tables.
While at first glance Theatre Intime’s production of “Fefu of Her Friends” is the story of a group of middle-aged women working together on a charity project, there’s far more than meets the eye. The tensions among its characters — from the titular character’s fascination with the revulsive to a literal Chekov’s gun that may or may not be loaded — permeate the alt-aesthetic stage from the very start.
While at first glance Theatre Intime’s production of “Fefu of Her Friends” is the story of a group of middle-aged women working together on a charity project, there’s far more than meets the eye. The tensions among its characters — from the titular character’s fascination with the revulsive to a literal Chekov’s gun that may or may not be loaded — permeate the alt-aesthetic stage from the very start.
Contributing writer for The Prospect Amaya Taylor reviews PSAT’s “bizarre and fun” retelling of “Legally Blonde.”
Contributing writer for The Prospect Amaya Taylor reviews PSAT's "bizarre and fun" retelling of "Legally Blonde."
Contributing writer for The Prospect Michael Grasso details Princeton professor in creative writing Patricia Smith’s acceptance of the National Book Award for Poetry for her book “The Intentions of Thunder: New and Selected Poems.”
Contributing writer for The Prospect Michael Grasso details Princeton professor in creative writing Patricia Smith’s acceptance of the National Book Award for Poetry for her book “The Intentions of Thunder: New and Selected Poems.”
In the November issue, the Sexpert explains the pitfalls of using AI chatbots for emotional intimacy.
In the November issue, the Sexpert explains the pitfalls of using AI chatbots for emotional intimacy.
Contributing writer for The Prospect Amy Jeon reviews the Black Arts Collective exhibit “Terms for Existence.”
Contributing writer for The Prospect Amy Jeon reviews the Black Arts Collective exhibit “Terms for Existence.”
Contributing writer for The Prospect Leia Pei details moments from the Black Art Company’s fall show.
Contributing writer for The Prospect Leia Pei details moments from the Black Art Company’s fall show.
Contributing writer for the Prospect, Navya Kommu, interviews Ooika owner about his upcoming Nassau Street opening.
Contributing writer for the Prospect, Navya Kommu, interviews Ooika owner about his upcoming Nassau Street opening.
This is the third year of the Editor-in-Chief’s review of the Triangle show, a recently revived tradition with little to no trace of its prior existence. This review is not entirely satirical and sadly not at all fictional, though it does discuss fiction. But nonetheless, it is definitely not serious.
This is the third year of the Editor-in-Chief’s review of the Triangle show, a recently revived tradition with little to no trace of its prior existence. This review is not entirely satirical and sadly not at all fictional, though it does discuss fiction. But nonetheless, it is definitely not serious.
Staff writer for The Prospect Annika Plunkett reviews Princeton Pianists Ensemble’s show “Odyssey.”
Staff writer for The Prospect Annika Plunkett reviews Princeton Pianists Ensemble’s show “Odyssey.”
Contributing writer for The Prospect Eesha Sutaria reviews Coffee Club’s new winter drink menu.
Contributing writer for The Prospect Eesha Sutaria reviews Coffee Club’s new winter drink menu.
Contributing writer for The Prospect Caroline Naughton covers the American Art pavilion in the Princeton University Art Museum’s brand new space.
Contributing writer for The Prospect Caroline Naughton covers the American Art pavilion in the Princeton University Art Museum’s brand new space.
Writer for The Prospect Kate Chun reviews the Princeton University Art Museum’s new Asian Art Pavilion.
