With a star-studded cast of Oscar winners and talented newcomers, impeccable craftsmanship, and an inspiring narrative based on historical events, “Dunkirk” is one of the greatest war films in recent memory.
Increasingly political content in entertainment is quickly becoming an epochal, cultural trend. But despite its increasing frequency, it continues to be accompanied by staunch, resolute objection: people continue to dislike the invasive nature of today’s politics, and especially its invasion into entertainment and media. But perhaps those voices are forgetting that entertainment has always been political and nowhere is this more clearly seen than in the rich history of protest music in the United States of America.
The tradition of arranged marriages, its toxic ideologies, and its regressive trends still exist in Indian society, putting pressure on women to compromise, instructing young adults to prioritize societal expectations, and preaching class divisions. These burdens are real and still unapologetically true, as depicted in “Indian Matchmaking.” However, they are certainly not representative of all of South Asian culture.
The live-action remake of “Mulan” tries to incorporate many new elements with good intentions, but ultimately, the movie is poorly executed. It doesn’t work as a film that elicits nostalgia, it doesn’t work as a historical drama that explores Chinese culture, and it doesn’t even work well as a standalone film considered completely separate from the original.
Based on the seminal James Baldwin novel of the same name, Barry Jenkins’ “If Beale Street Could Talk” (2018) mesmerizes viewers with Jenkins’ Academy Award-winning directing, the actors’ poignant performances, and composer Nicholas Britells’ rich, melancholy score.
“La La Land” is more than just its plot — Chazelle tells Mia and Sebastian’s story, with its themes of dreams, reality, relationships, facades, and sacrifice, by manipulating colors, lighting, camera direction, and music.
Thanks to Spike Lee’s masterful directing, a bold screenplay, and an all-star cast, “BlacKkKlansman” combines absurdity, dark humor, and horror into a nuanced commentary on social issues through the true story of a Black police officer leading an undercover mission to infiltrate the country’s most notorious white supremacist organization.
Living in a global pandemic leaves you with little to do to keep yourself entertained. To help combat impending boredom, Prospect has launched a series in which our Staff recommend content and creative outlets to keep you occupied while you’re stuck in your home. This week, our writers and editors curated some fabulous playlists for you to jam out to during studying. Here are the songs we recommend that you listen to during quarantine.
The world we live in is undoubtedly changing in various facets day by day, and how we socialize and connect with our communities is no exception. For at least some Princeton students, TikTok is taking on an increasingly prominent part of their social lives as our campus community is spread out across the world.
Currently showing at the Princeton Garden Theatre, Céline Sciamma’s latest film “Portrait de la jeune fille en feu” (translated as “Portrait of a Lady on Fire”) explores the dialectics of artist/subject, love/beloved, and viewer/viewed, presenting them as fluid and reciprocal. In the act of viewing, the film posits, oneself is viewed.
Today, I have aspirations of being a screenwriter — and Aaron Sorkin’s ‘The Social Network’ is precisely the reason why.
A closer examination of the politics of “Parasite” and its Oscar success reveals the extremity of Western culture’s global influence and Hollywood’s domination of the film industry, and it inadvertently sets a standard for foreign countries that desire inclusion in the glamour and prestige of the Academy Awards.
