Prospect Contributor Meredith Sneed reviews the Oscar-winning Best Picture “Anora.”
Prospect Contributor Meredith Sneed reviews the Oscar-winning Best Picture “Anora.”
Prospect Contributor Meredith Sneed reviews the Oscar-winning Best Picture “Anora.”
Prospect Contributor Meredith Sneed reviews the Oscar-winning Best Picture “Anora.”
Contributing writer for The Prospect Isabella Rivera reviews a new student musical, “A Life Worth Living.”
Contributing writer for The Prospect Isabella Rivera reviews a new student musical, “A Life Worth Living.”
Contributing writer for The Prospect Faith Ho reviews USG screened movie, “Conclave.”
Contributing writer for The Prospect Faith Ho reviews USG screened movie, “Conclave.”
Contributing writer for the Prospect Marley Hartnett-Cody talks with Kendall Jeong ’25, whose stage name is DJ KJ, about how a lifelong love of EDM jump-started her DJ career.
Contributing writer for the Prospect Marley Hartnett-Cody talks with Kendall Jeong ’25, whose stage name is DJ KJ, about how a lifelong love of EDM jump-started her DJ career.
Isabella Dail, head editor of The Prospect and staff writer for News, interviews Pulitzer Prize winner Paul Muldoon about his spoken word group, Rogue Oliphant.
Isabella Dail, head editor of The Prospect and staff writer for News, interviews Pulitzer Prize winner Paul Muldoon about his spoken word group, Rogue Oliphant.
Assistant Editor for The Prospect Annie Wang talks with Maddie Feldman about her DJing experience under the name Disc Rocky.
Assistant Editor for The Prospect Annie Wang talks with Maddie Feldman about her DJing experience under the name Disc Rocky.
Head Editor of The Prospect Isabella Dail covers musician Laufey’s talk at McCarter Theatre.
Head Editor of The Prospect Isabella Dail covers musician Laufey’s talk at McCarter Theatre.
Contributing writer for The Prospect Gavin McLoughlin interviews Roya Reese ’26 about experiences performing at Coffee Club and as a student musician.
Contributing writer for The Prospect Gavin McLoughlin interviews Roya Reese ’26 about experiences performing at Coffee Club and as a student musician.
Regina Roberts, associate editor for The Prospect, leaps into the audition process for dance companies at Princeton.
Regina Roberts, associate editor for The Prospect, leaps into the audition process for dance companies at Princeton.
Contributing writer for The Prospect Isabella Rivera reviews “Empire Records: The Musical.”
Contributing writer for The Prospect Isabella Rivera reviews “Empire Records: The Musical.”
The USG doesn’t know, and we don’t know either. Still, we spoke to the band.
The USG doesn’t know, and we don’t know either. Still, we spoke to the band.
Contributing writer for the Prospect Ed Rogers describes why ‘Challengers’ is short of being an ace of a cinematic masterpiece.
Contributing writer for the Prospect Ed Rogers describes why ‘Challengers’ is short of being an ace of a cinematic masterpiece.
After an evening screening of his latest film “American Fiction” at the Garden Theatre, actor Jeffrey Wright spoke to Princeton community members in a Q&A session on March 19. Wright offered advice to college-age students and addressed the themes of “American Fiction,” which tackles divisive, contemporary topics, especially focusing on art and the Black experience.
After an evening screening of his latest film “American Fiction” at the Garden Theatre, actor Jeffrey Wright spoke to Princeton community members in a Q&A session on March 19. Wright offered advice to college-age students and addressed the themes of “American Fiction,” which tackles divisive, contemporary topics, especially focusing on art and the Black experience.
Contributing writer for the Prospect Edward Rogers reviews USG Movies’ latest screening of “Drive Away Dolls,” a recent comedy drama directed by Ethan Coen of the Coen brothers.
Contributing writer for the Prospect Edward Rogers reviews USG Movies’ latest screening of “Drive Away Dolls,” a recent comedy drama directed by Ethan Coen of the Coen brothers.
In every scene, a gentle blanket of minimalism is draped beautifully as the film relies on deft cinematography to tell the story. One of the most memorable shots was on Nora’s last day in Korea before she emigrated. When her and Hae Sung split to leave, the camera captures their backsides as they walk in the same direction but on diverging paths.
In every scene, a gentle blanket of minimalism is draped beautifully as the film relies on deft cinematography to tell the story. One of the most memorable shots was on Nora’s last day in Korea before she emigrated. When her and Hae Sung split to leave, the camera captures their backsides as they walk in the same direction but on diverging paths.
