Contributing Writer Jaden Sharp forays into the work of Antoni Tápies.
Contributing Writer Jaden Sharp forays into the work of Antoni Tápies.
“Although it was slow, it made every word I read, heard, and felt even more meaningful.” The Princeton French Theater Festival returns with its twelfth annual performance, “Traces.”
“Although it was slow, it made every word I read, heard, and felt even more meaningful.” The Princeton French Theater Festival returns with its twelfth annual performance, “Traces.”
“Hamaguchi is not afraid. He dives in head first.” On Friday, September 23rd, Ryûsuke Hamaguchi spoke at Princeton’s Fall 2022 Bellknap Global Conversation as part of ‘Conversations,’ a weeklong celebration of Hamaguchi’s films involving a series of workshops for students and screenings of his recent work at the Garden Theater.
“Hamaguchi is not afraid. He dives in head first.” On Friday, September 23rd, Ryûsuke Hamaguchi spoke at Princeton’s Fall 2022 Bellknap Global Conversation as part of ‘Conversations,’ a weeklong celebration of Hamaguchi’s films involving a series of workshops for students and screenings of his recent work at the Garden Theater.
“As I listened, I caught a few glimpses of this euphoric realm, where the physicality of musical expression is fully embraced — where music is not only something we do, but something we are.” Contributing Prospect Writer Jack Gallahan reviews Princeton Sound Kitchen’s latest performance, “New Works for Voice.”
“As I listened, I caught a few glimpses of this euphoric realm, where the physicality of musical expression is fully embraced — where music is not only something we do, but something we are.” Contributing Prospect Writer Jack Gallahan reviews Princeton Sound Kitchen’s latest performance, “New Works for Voice.”
“The times when I feel like I have grown to understand music more are often times of difficulty that push me to hear a little bit deeper.” Michael Pratt sits down with Assistant Prospect Editor Kerrie Liang to discuss music during the pandemic and the return to live performance.
“The times when I feel like I have grown to understand music more are often times of difficulty that push me to hear a little bit deeper.” Michael Pratt sits down with Assistant Prospect Editor Kerrie Liang to discuss music during the pandemic and PUO’s return to live performance.
Contributing Writer for The Prospect Joshua Yang speaks with novelist and Princeton faculty member Joyce Carol Oates about her perspective on her own writing and her experiences working with undergraduate writers in Princeton’s creative writing program.
Contributing Writer for The Prospect Joshua Yang speaks with novelist and Princeton faculty member Joyce Carol Oates about her perspective on her own writing and her experiences working with undergraduate writers in Princeton’s creative writing program.
Regan McCall ’22 takes the stage for a new translation of the Friedrich Schiller play, in which “duty collides with the will of the masses, and two powerful rulers meet face to face in a story of death, betrayal, and hope.”
Regan McCall ’22 takes the stage for a new translation of the Friedrich Schiller play, in which “duty collides with the will of the masses, and two powerful rulers meet face to face in a story of death, betrayal, and hope.”
“To photograph is to apply an artist to that which wasn’t art before.”
“To photograph is to apply an artist to that which wasn’t art before.”
“In her senior thesis show “sarry about saying you don’t,” artist Raya Ward ’22 debuts a captivating visual language that incisively guides viewers through a sophisticated meditation on the nature of our personal archives.”
“In her senior thesis show “sarry about saying you don't,” artist Raya Ward ’22 debuts a captivating visual language that incisively guides viewers through a sophisticated meditation on the nature of our personal archives.”
“We are speaking about a wonderful movie, great poetry of footage, and phenomenal achievements in filmmaking … which [are] unique in film history,” Herzog said to a crowd of Princeton community members at the James M. Stewart ’32 theater on April 6. “It will never happen again.”
“We are speaking about a wonderful movie, great poetry of footage, and phenomenal achievements in filmmaking … which [are] unique in film history,” Herzog said to a crowd of Princeton community members at the James M. Stewart ’32 theater on April 6. “It will never happen again.”
“In ‘Signatures,’ Pai seems to defamiliarize the process of reading itself.” Head Editor Emerita Cameron Lee covers Megan Pai ’22’s two-part senior thesis show called “Signatures.”
“In ‘Signatures,’ Pai seems to defamiliarize the process of reading itself.” Head Editor Emerita Cameron Lee covers Megan Pai ’22’s two-part senior thesis show called “Signatures.”
“Perhaps, by sharing our thoughts, we gain connections, create societies, and generate futures we can sculpt, hopefully for the better...” Contributing Writer Audrey Zhang discusses a formative experience in her introductory sculpture course, VIS222, for The Prospect.
“Perhaps, by sharing our thoughts, we gain connections, create societies, and generate futures we can sculpt, hopefully for the better...” Contributing Writer Audrey Zhang discusses a formative experience in her introductory sculpture course, VIS222, for The Prospect.
“Faruki’s exhibition draws viewers in with bold asceticism ... then, when viewers are in the thick of it, the exhibit comes to life with an evocative, communicative artistic language of its own.”
“Faruki’s exhibition draws viewers in with bold asceticism ... then, when viewers are in the thick of it, the exhibit comes to life with an evocative, communicative artistic language of its own.”
Staff Writer Daniel Viorica reviews the 2000 romantic drama film “In the Mood for Love.”
Contributing writer for the Prospect Sage Kanemaru reviews the Princeton University Orchestra’s most recent concert, especially reflecting on the performance of the four featured musicians.
Contributing writer for the Prospect Sage Kanemaru reviews the Princeton University Orchestra’s most recent concert, especially reflecting on the performance of the four featured musicians.
“I ended up in an entirely foreign land, much further outside of my comfort zone than I had bargained for — but I still had an incredible night.”
“I ended up in an entirely foreign land, much further outside of my comfort zone than I had bargained for — but I still had an incredible night.”
Contributing Writer Sage Kanemaru reflects on his experience participating in Sympoh bootcamps and finding an important community in the campus group.
Contributing Writer Audrey Zhang takes readers through the process of creating her first sculpture, the inspirations she drew from, and her thought process while building.
Contributing Writer Audrey Zhang takes readers through the process of creating her first sculpture, the inspirations she drew from, and her thought process while building.
“Silma’s works defy convention and cliché. She is really honing into the detail and nuance of this particular dynamic and this particular couple,“ said Shariffa Ali, a lecturer in the theater department and Berrada’s advisor. Auhjanae McGee, head editor emerita of The Prospect, speaks with the creators behind “B + M,” a play about young Black love written by Silma Berrada ’22.
“Silma’s works defy convention and cliché. She is really honing into the detail and nuance of this particular dynamic and this particular couple,“ said Shariffa Ali, a lecturer in the theater department and Berrada’s advisor. Auhjanae McGee, head editor emerita of The Prospect, speaks with the creators behind “B + M,” a play about young Black love written by Silma Berrada ’22.
Staff Writer for the Prospect Thia Bian reflects on Van Gogh’s letters, his desperation to change the world, and the lesson that “little happinesses” are more important than the pressure to be revolutionary.
Staff Writer for the Prospect Thia Bian reflects on Van Gogh’s letters, his desperation to change the world, and the lesson that “little happinesses” are more important than the pressure to be revolutionary.
